Fresh from the rather disappointing performance at the rather special Bayreuth Festspielhaus, it was back into Proms season and a run of tremendous performances in the dismal Royal Albert Hall… it would seem that the Albert Hall has a message for Bayreuth: you can have a special and well-designed theatre, but it ain’t much use if what you put on isn’t up to scratch. It goes without saying that all of these performances would have been that much more special in a better acoustic, but they still achieved rare levels of intensity in Kensington’s cavernous barn. (more…)
I’m pleased to be able to file a happy report from the Royal Albert Hall, following the disappointing Novello Prom and a Yeomen of the Guard that suffered for being on too hot a day, and viewed from the precipitous heights of the Balcony. The television relay confirms that as having been quite excellent, but I was unable to form a reasonable opinion on the night.
However, this time with the benefit of a side stalls (front row, near the stage) seat, this Grimes was pretty spectacular. Largely the same cast as the ENO theatre run of 2009, minus in particular Gerald Finley’s Balstrode, it was as theatrical as if they had all just gathered themselves up and rushed round from the Coliseum that afternoon. (more…)
Should we wish to Keep the Home Fires Burning, then I’m sure the dismantled remains of the Royal Albert Hall will make excellent kindling. I am not one to advocate the destruction of our built heritage often – quite the contrary in fact – but having seen two Proms this season, I am perfectly willing to make an exception. Alternatively, they could just turn it into a permanent circus ring or a furniture warehouse, either of which would suit it far more than its current role as a concert hall. (more…)