Discounting the dreadful Anna Nicole, to which wild horses couldn’t drag me back a second time, the Royal Opera’s season opened with Verdi’s dark 1851 masterpiece, Rigoletto. On 27 September, it was a full-blooded performance of Italian vigour, and definitely one to blow the cobwebs away.
Maurizio Benini was on duty in the pit, driving the orchestra hard whilst still allowing space for the singers: the contrast was thrilling as the big set piece act-closers hoved into view… The storm of act 4 – surely one of Verdi’s most atmospheric effects, with the chorus providing the howling wind to follow the orchestral thunderclaps – was beautifully, hauntingly realised. The orchestra played wonderfully throughout, with particularly characterful brass and woodwind contributions and some very threatening timpani. (more…)