John Copley

Bye bye Bohème

Rooftops of Paris [(c) Mark Tyson]

Rooftops of Paris [(c) Mark Tyson]

So, it begins: the last run of Covent Garden’s production of La Bohème by John Copley, originally premiered during the period of electricity cuts and the 3-day week in 1974 – in fact, on the eve of Edward Heath asking for a dissolution of Parliament for the February 1974 General Election. In contrast 2015’s final revival saw ample full-on star-wattage blazing, albeit distractingly at times, from the two lead performers. In the meantime, the production showed its steadfast muted colours by carrying the the story with convincing straightforwardness. Nice though it was to see it a last time, I confess myself ready for something with rather more insight.

Given my lack of success in seeing her on the Covent Garden stage in the past, it was pleasing to note that Anna Netrebko was indeed present – and then some. As the evening progressed the celebrity sheen was slowly dimmed in favour of her genuine acting talents. Vocally as well, she seemed to ‘free up’ as the performance went on, after a first act in which her vocal voluptuousness threatened to tip over into an excessively mezzo-ish tone with stodgy consonants. Nonetheless, she won me back over as she stood behind the tumbril in act 3 and reacted most movingly to Rodolfo’s changing explanations of why he had left her. At the close, she anchored the death scene with her stillness, matching her vocal beauty to the failing health of the character. (more…)

2013/14 – and 20 years – out on a high…

A busy 13 July 2014: Ariadne Boheme programmes

A busy 13 July 2014

A flurry of activity, and a trip to Switzerland, meant I never had a moment to capture thoughts on the two final performances of 2013/14 ROH season: both on the same day, La Bohème and Ariadne auf Naxos. Both were splendid.

We hadn’t gone for the supposedly ‘starrier’ cast, with Gheorghiu reprising her Mimì and Vittorio Grigolo playing Rodolfo, largely because I’ve become rather apathetic towards Gheorghiu, her cancellations and her increasingly staid artistry, especially after a most disappointing La Rondine a couple of years back. Instead, we went for the pairing of Ermonela Jaho and Charles Castronovo, both on fine form and taking part in a revival of John Copley’s production that was revived with a very welcome attention to the details. It’s ironic that the revival that comes immediately before its final outing next year should appear so fresh.  Jaho captured Mimì’s vulnerability wonderfully; Castronovo was in fulsome voice; Cornelius Meister made a great impression, with a reading of warmth and drama. The ensemble came together finely for the comic shenanigans, Markus Werba in particular a fine Marcello and the Musetta of Simona Mihai being more successful than many an exponent of the role, making Quando m’en vo more than a minor diversion. A wonderful afternoon. (more…)

Bohème 2012

As old as me, John Copley’s production of La Bohème creaked its way onto the Covent Garden stage for another outing. There’s no denying it’s extraordinarily effective, even if the more jaded amongst us might wish for the refreshing tonic of a new production. Then again, bearing in mind the ROH’s choice for a Rusalka production, it’s probably best we stick with this for the foreseeable. (more…)